page 31 Appendix I: Threatened and historically rare ecosystems Table 4: Land Environments of New Zealand (LENZ): threat classifications relating to Taranaki Threat category Acutely threatened Chronically threatened At risk Critically under protected Under protected No threat category Criteria <10% native cover remaining 10 – 20% native cover remaining 20 – 30% native cover remaining >30% native cover remaining <10% legally
page Application No. Consent No. Applicant Lodged Date Application Type Description Acitivity Type Location Catchment 23-11116-1.0 R2/11116-1.0 Te Runanga o Ngati Tama 27-Mar-23 New consent To replace a previous culvert that has washed away thereby alleviating the flooding of a public walkway Land Use Consent Whitecliffs Walkway Waipingau 23-02582-3.0 R2/2582-3.0 Norwood Farm Partnership 28-Mar-23 Replacement for expiring consent To discharge farm dairy effluent onto land Discharge Permit
page 275 Regional Air Quality Plan for Taranaki Referenced document The documents referenced throughout the Plan are listed below, along with the website addresses that provide access to the documents. Agrichemical application (Rules 56 to 58) NZS 8409:2004 Management of Agrichemicals www.standards.co.nz
page Introduction Douglas-fir ranks as the second most important softwood in New Zealand, after radiata pine, and occupies about 5% of the total plantation forest area. Most of the Douglas-fir sawn timber that is produced comes from the central North Island and from the northern South Island. Douglas-fir occurs naturally in western North America where it is better known as Oregon Pine. It was first introduced to New Zealand in 1859 and was commonly used for amenity and farm plantings,
page Appendix 1 Proposed regionally significant surf breaks Surf Break Name Ahu Ahu Multiple Breaks Arawhata Road Point Arawhata Road Reef Arawhata Road Beach Back Beach Breaks Back of Stent Bayly Road Breaks Bayly Road North Bell Block Reef Belt Road Left Belt Road Right Bird's Nest BJ's Left Boat Ramps Bog Works Boilers Boulters (Boulder Bay) Brazils Breakwater Butlers Reef Cemetery Point
loading and unloading their bike The bike rack takes two bikes at a time Racks are designed to carry bikes with wheels larger than 16" The maximum insured value of any bike on the rack is $1500 call 0800 87 22 87 visit taranakibus.infoRegional Council Taranaki BUSES
the bike rack Cyclists are responsible for loading and unloading their bike The bike rack takes two bikes at a time Racks are designed to carry bikes with wheels larger than 16" The maximum insured value of any bike on the rack is $1500 call 0800 87 88 87 visit taranakibus.infoRegional Council Taranaki BUSES
http://www.doc.govt.nz/nature/conservation-status/ 12 Conservation status of New Zealand freshwater fish. Allibone, R., et al. (2010). New Zealand Journal of Marine and Freshwater Research, 44, 271-287. Box i. (continued) Swimming in lakes – assessing toxic cyanobacteria Councils monitor lakes, with a focus on popular recreational sites, for presence and amount of the planktonic cyanobacteria, which can produce a variety of toxins. For a lake to be considered safe for swimming, in addition to meeting the requirements for E. coli
page 159 CO AS TAL P L AN F O R TARANAK I S chedu le 3 – Coas t a l s i t e s w i t h s ign i f i c an t am en i t y v a lues Schedule 3 – Coastal sites with significant amenity values This schedule identifies those coastal sites that have significant amenity values. Amenity values refer to those natural or physical qualities and characteristics of an area that contribute to a people’s appreciation of its pleasantness, aesthetic coherence, and
page 190 CO AS TAL P L AN F O R TARANAK I S chedu le 6 – Coas t a l s i t e s w i t h s ign i f i c an t am en i t y v a lues Schedule 6 - Coastal sites with significant amenity values This schedule identifies those coastal sites that have significant amenity values. Amenity values refer to those natural or physical qualities and characteristics of an area that contribute to a people’s appreciation of its pleasantness, aesthetic coherence, and cultural